Friday 24 December 2010

magazine reading habits in the future

will we still be reading magazines in 20 years time?

if so, throgh what medium? e.g tv home entertainment system, mobile phone, on a tablet, personal computer.

will the number of magazine readers increase or decrease due to this change, if either?

will the percentage of youth readers increase or decrease due to this change, if either? how will this effect social attitudes in the youth population?

in general, how will the content of magazines have changed? e.g more explicit, eduactional.

Magazine industry timeline + digital magazine timeline


1586   Josse Amman, a Swiss painter, publishes plates on the fashions of the day, with the title Gynasceum, sive Theatrum Mulierum ... (The Gynasceum or Theatre of Women, in which are reproduced by engraving the female costumes of all the nations of Europe). Published in Frankfort in Latin; regarded as the first fashion magazine

1796
German Alois Senefelder develops lithography to produce high-quality printed images

1839
Fox Talbot produces photographs from negatives

1861
First colour photography

1882
Photos sent by wire

1892 
Four colour rotary press 

1922
British Broadcasting Corporation formed as commercial radio broadcaster

1928
Baird beams TV image from UK to US

1936- 
BBC launches the world's first regular television service from Alexandra Palace in London. The Radio Times runs a "Television Number" in London edition only.

1962   The Bolton Evening News is the first UK paper to print colour advertising. The pages were produced by Martlet Press in London

1982
Computer magazines, such as Acorn User at Addison-Wesley in London, start to use e-mail systems and online bulletin boards, in this case Dialcom

1983
Emap launches Micronet online bulletin board, which reaches 1m subscribers. Magazines and individuals set up own pages on the Prestel-based system. Thousands of computer users run own boards from home using BBC Micros and modems. 

1985
Postscript-based software, such as Aldus Pagemaker and Adobe Illustrator running on the Apple Macintosh, allied to laser printers, herald the advent of desktop publishing. This revolutionises production of magazines and newspapers

 DIGITAL MAGAZINE HISTORY OVER PAST 30 YEARS

DateEventDetails
1982Magazines start to use electronic mail and online noticeboards Acorn User (Addison-Wesley) uses Dialcom/Telecom Gold, a subscription-based email system
1982Cover disc - vinyl Your Computer (December) 33.3 rpm vinyl single holding Sinclair ZX81 games
1982Publishers start to use computer networksAcorn User and contract publisher Redwood throws out all typewriters and introduces Econet sysyem based on Acorn BBC Micro technology. Copy written on networked BBC terminals, stored on floppy discs or 5MB network hard drive and printed on centralised daisywheel or dot matrix printers to be sent to typesetters. Redwood continued to use the system - which grew to about 80 terminals - before switching to Macintoshes running Quark XPress
1983Subscription-based online bulletin boards using viewdata systems (broadcast by TV stations or over telephone lines) Viewdata systems consisting of several hundred 'pages', each of 24 characters by 20 lines of text (1K in size):
  • Ceefax (BBC): data was broadcast inbetween television frames (not interactive) .
  • Prestel (British Telecom): over telephone lines (1200/75 baud).
  • in-house systems for companies, eg travel agents .
  • bulletin boards on home computers used this technology.
  • other systems were Minitel in France and Telidon in Canada.
Emap launches Micronet, which reaches 1m subscribers. Magazines and individuals set up their own pages using Prestel
Thousands of computer users run own boards from home, office or school using BBC Micros, modems and phone lines


Schools in the Outer Hebrides on the west coast of Scotland had access to a dedicated viewdata system in 1984
1986BBC attempts to establish a standard for interactive video discsDomesday system with Philips Laservision disc player - using double-sided, 12-inch optical discs - controlled by a BBC Micro
1980sDevelopment of digital technologies for handling typesetting and image manipulation Apple Macintosh (1984)
Postscript from Adobe Systems (1984)
Apple Laser Writer printer (1985)
Aldus Pagemaker (1985)
ISO defines SGML (1986)
Adobe Illustrator (1987)
Quark Xpress (1987)
Adobe PhotoShop (1989)
1992Adobe Acrobat PDFs
199311 November: Guardian article about the World Wide Web The Guardian's Computer section (p19) carries an article 'The world in a web' by Joe Levy of Edinburgh university describing the World Wide Web project at CERN. The article gives a Telenet address for information and an FTP address for the Mosiac browser at NCSA.
1994Newspapers move to the web Daily Telegraph claims to be the first national newspaper on the web
The Unzip CD-Rom from IPC and software developer Zone UK was based on content from New Musical Express, Vox and New Scientist in 1995. It cost £15.99 (for the PC or Mac) and had a target circulation of 20,000. Only one edition was published. The CD-Rom lacked the depth (and cheapness) of a printed magazine, the visual quality of TV or the excitement of a computer game
1995CD-Rom magazines At least 10 available (Baumann 1995). Blender (a US title distributed by Dennis in the UK at £9.99 based around samples of US bands and film trailers); Unzip, 'the UK's first fully interactive magazine on CD-Rom' (IPC)
CD-Rom cover mounts on non-computer magazinesAugust issue of men's monthly Maxim (Dennis Publishing)
Websites for mainstream magazines Uploaded.com (Loaded, IPC); nme.com (New Musical Express, IPC)
1996Electronic auditing ABC Electronic established to provide independent certification for data related to electronic media
X-Net bi-monthly came with a CD-Rom at £7.95 for 100 pages. It featured popular pin-up Jo Guest and hundreds of addresses for pornographic as well as sport, comedy and car websites. The CD-Rom held more than 300 links to websites and used the sales line: 'Babe Fest! Interview the girls, then watch them strip.' It caused a furore, to which its editor, Dominic Handy, responded in the Guardian: 'We did not go out to publish a porn mag, we wanted to publish Loaded for the internet.'
1997Digital kiosks BT Touchpoint with NME, Loaded and Marie Claire content
Improving technology meant CD-Rom titles could market themselves based on their video content. Among the first publishers to exploit this development were those behind top-shelf titles such as X-Net and Enter (below)
1998Sunday Times CD-ROM covermount Windows on the World was an educational CD-Rom produced with the British National Space Centre
1999BRAD (Nov) directory lists 668 entries under 'new media'
Nuvo Media's Rocket e-Book Portable e-book device for $300 that held about 4,000 pages (10 books). Owners could buy copyrighted digital versions of books and journals
2000CD-Rom magazines based on video content Enter monthly from Pure Communications. Lads' mags with advertising from Toyota, Heineken, Mars and Jameson whiskey
Microsoft launches Reader software using ClearType for PCs and laptops
Microsoft Reader Cleartype logo
Company predicts in a timeline on its website (dated September 13 1999) and in advertising that: a 'slate form' Tablet PC would be a mainstream device by 2004; eNewstands would 'proliferate on street corners' by 2006; by 2008 ebook titles would 'begin to outsell conventional volumes in most countries'; two years later companies would be giving away ebook devices; and by 2020, the primary dictionary definition of a book would be writing displayed on a computer. Barnes & Noble.com and Microsoft open eBookStore for Microsoft Reader (www.bn.com). Michael Crichton's Timeline was free to download. Other promoted books for sale included Lethal Seduction by Jackie Collins, Married to Laughter by Jerry Stiller and Deadly Decisions by Kathy Reichs. Online magazine Salon was sceptical. The Microsoft timeline pages were taken down by 2001
2001Digital facsimile editions of newspapers start to appear 'Flat PDFs' with no interactivity
US software developer Zinio founded
2003SMS text messaging Loaded (then published by IPC)
Online media have become mainstream: BRAD (Jun) no longer lists websites separately
Sunday Times CD-Rom supplement The Month CD-Rom is based on entertainment and arts content. It was sponsored by Renault for a reported £250,000. The first time the disc was loaded, a 40-second Renault advert was shown. After that, users could skip the ad halfway through. Commercial deals included a website with MVC where users could order reviewed CDs; and a link to Warner Village's website to book cinema tickets online
2005Financial Times launches digital facsimile edition Includes How to Spend It
Digital paper announced
2006Switch in teenage spending to online and mobile-phone-based media blamed for teen magazine closuresEmap closes Smash Hits. The name lives on as a digital music TV channel and radio station, online and as a mobile phone service
Digital (facsimile) magazines Exact Editions launches first titles (Feb). Quickly expanded to include Dazed & Confused
Downloadable magazines for phones Time Out, OK!, Glamour, GQ on Mobizine platform (Feb)
Magazines launch on YouTube Condé Nast puts Glamour, GQ and Vogue on YouTube
YouTube seen as affecting (men's) magazines ‘Unloaded, and now the party is over,’ (Brown, 2006)
Magazines use YouTube for marketing Nuts men's weekly (IPC) celebrates sales results with a raunchy ad on YouTube
Temporary video websites exploiting social networking Zootube.co.uk for Emap's Zoo men's weekly
TV magazines cover online films and podcastsRadio Times covers YouTube, iFilm and Google Video on radiotimes.com and in magazine
Interactive digital-only magazines launchedMonkey from Dennis. 'The world’s first weekly digital men’s magazine' (Nov)
Media organisations launch special editions in Second Life online world US technology title Wired (October); German tabloid Bild (December); Sky News (May 2007); CNET, Reuters, BBC Radio 1 and Channel 4 Radio (Green 2007)
2007TV guide revamps website to help find shows on the web for downloadingRadio Times
First ABCe figures for digital-only and print magazines Monkey releases ABCe of 209,612 copies a week
Jelly fish digital magazine start page
Digital-only magazine for teenagers National Magazines launches Jellyfish as a trial using Ceros technology. The magazine's motto was 'if it moves, click.' However, problems with the emailed files being blocked because of poor mailing lists led to the experiment failing and it was closed within 6 months.
Contract publishers seek ABCe audits for digital titles River Publishing registers Healthy for Men with ABCe (May)
Advertising revenue rising but 'no one has got the business model for online cracked yet,' Stevie Spring (chief executive, Future Publishing)
'[Newspapers] have yet to find sound monetisation models' (Richard Stephenson, chairman of Yudu Media, quoted by Kirby 2007)
Magazines move into digital TV Nuts TV channel based on the weekly IPC men's magazine (September)
Free weekly men's magazine launched with website ShortList gives away 500,000 copies. 'Our site is completely central to everything we're planning' Mike Soutar, quoted in Dorrell, 2007
Online digital facsimile newsagents launched MyMag Online in Ireland
DVD magazine announced 'The world's first' magazine on DVD from Expansive Media (for November launch)
Publishers working with digital paper E-Ink working with Time magazine (Moses)
2008Digital magazines becoming an established medium Exact Editions has about 70 titles; Ceros 200. In February 2008, Zinio launches Global Newsstand to make 850 titles available to buy and read online
Brand expansion for MonkeyDennis Publishing and mobile media company Player X launch Monkey as a free mobile TV channel (March)
Dennis builds on Monkey business model Dennis launches fortnightly iMotor and Gizmo
Monthly car launchMotor Play launches as a free digital car monthly ‘with over 200 pages of beautifully produced articles on cars’
Social applications and widgets for Stuff websiteUmee develops utilities such as Twitter, Facebook and Clearspring widgets for Haymarket's Stuff.tv
Wallpaper widget News feed and a photo of the day from monthly design title
2009iPhone app from NME
NME logo
IPC's music weekly sells 59p app to access band photographs using Umee technology. Rebrands itelf as: online, magazine, TV, radio, mobile (note the order)
FT drops digital fascimile technology for How to Spend It Financial Times relaunches online version of its large-format luxury monthly magazine How to Spend It. Razorfish uses Adobe Flash 10 to translate 'the glossy magazine reading experience into a convincing luxury online environment'
2010 February: Dennis closes monthly motoring emag iMotor Dennis blames e-mag's lack of success on the economic downturn and that it had 'found it hard to convince manufacturers to make full use of the creative environment that a digital magazine offers'. Monkey and iGizmo not affected
April: iPad launch in the US
May: Apple launches the iPad in the UK. Claims 300,000 sales on the first day.
Newspapers and magazines such as Wired, The Spectator and the Financial Times release iPad apps to read their stories in a format that tries to mimic the printed page. The FT wins 'best iPad app' award for its free offering, which is downloaded 150,000 time in 3 weeks; the August edition of Press Gazette gave the total as 250,000 (p6). iPad screen is 9.7 inches diagonally, compared with the iPhone's 3.5in
May: VW releases free customer magazine as iPad app DAS (Digital Automotive Space) also set up as a website in June. The plan was to publish the app quarterly in five languages across Europe
August: Dazed & Confused released as free app for Apple iPhone, iPad and iPod TouchDazed co-founder Jefferson Hack said: 'From fold out poster to iPad app, Dazed has come a long way since its birth almost two decades ago. With the new app, a whole new audience of culturally aware iPad and iPhone users will be introduced to Dazed.' The digital magazine was based on Exact Editions Precisely platform
September iPad 'changing the rules of digital publishing'A report on the Yudu website suggested people were spending far more time browsing the iPad app for GQ and Vanity Fair than they were the websites (from 2-4 minutes a month to 60)
Segmentation of digital publishing strategiesPublishers talk of discrete digital channels:
  • smartphone 'snackers' who want news, sports and other snippets in the early morning and evening;
  • PC users who want access to valuable information from websites;
  • users of the iPad, Kindle and other e-readers ot tablets who see the device as nearer a magazine and are used to paying for 'cool' apps.
Mobile apps tended to be:
  • free branded sampler of news and reviews;
  • paid-for content at, say £2.99, but with mobile advertising between screens;
  • ad-free premium versions at, say, £10.99;
  • subscriptions to a print magazine and app at a 10-20% discount to the full print subscription. Buyers are likely to be upmarket 'early adopters' who are attractive to advertisers and improve the magazine's readership profile.
Some publishers see the iPad as an opportunity to improve the image of their print brand and appeal to a younger or more upmarket audience. Selling mobile advertising is difficult because web banners are not suitable for small screens. Also iPad apps cannot display the level of advertising as print pages and there is no equivalent of a spread.
Another problem is Apple's control of the iPhone / iPad customer and the potential for publishers to earn revenue from digital subscriptions and digital advertising.
Wired iPad app sales plummet Sales fall from 100,000 in June to about 28,000 in August for the Adobe-based app
FT combines print and digital salesEvidence of digital segmentation with the Financial Times announcing combined global print and digital paid-for circulation measure to be released each quarter. This is in addition to print data from the Audit Bureau of Circulation. At the same time, the paper withdrew from ABCelectronic. 'We aren't a volume site so we are looking to measure ourselves against registered users and subscriptions,' FT deputy director of communications Tom Glover told Magforum
Poll on magazine reading/browsing in 2020Exact Editions ran an online survey in October 2010 asking people's opinions about their future reading habits, How will we read magazines? See poll results.
iPad advertising revenueFinancial Times deputy chief executive Ben Hughes tells Campaign (15 October 2010, P12) iPad app has generated more than £1 million in advertising revenue since it launched in May. More than 400,000 subscribers had signed up for the app and it accounted for one in 10 of the newspaper's new digital subscriptions. In total, paying digital subscribers had risen by half in a year to 189,022. In addition, FT.com had three million registered users. Daily print circulation was 401,898. The paper began accepting Paypal as well as credit cards   




Tuesday 21 December 2010

NME FACTS

KEY STATS
Male: 74%
 Female 26% 
Median age: 23 
Student 42% 
ABC1: 68% 
Circulation: 33,875
 Readership: 325,000

NME has become a truly unique multi-platform media proposition. Across the magazine, nme.com, NMETV, NME Radio and the brand's live events and awards, NME reaches over one million music fans every week. NME is the longest published and most respected music weekly in the world. Every week it gives its readers the most exciting, most authoritative coverage of the very best in contemporary music, including award winning features, the latest releases, live reviews, the definitive guide to the best new bands in its Radar section, as well as a regular look back through the magazine's incredible 58 year heritage.

Not surprisingly NME readers are completely obsessed by music. Reader research has demonstrated that they rely on the editorial and the ads to keep them up to date
with new music. This knowledge then makes them the authority in music in their peer group.

Monday 13 December 2010

NME

The paper's first issue was published on 7 March 1952 after the Musical Express and Accordion Weekly was bought by London music promoter Maurice Kin, and relaunched as the New Musical Express. It was initially published in a non-glossy tabloid format on standard newsprint. On 14 November 1952, taking its cue from the U.S. magazine Billboard, it created the first UK Singles Chart.

1960s-  NME sales were healthy with the paper selling as many as 200,000 issues per week, making it one of the UK's biggest sellers.

1970s- By the early 1970s NME had lost ground to the Melody Maker as its coverage of music had failed to keep pace with the development of rock music, particularly during the early years of psychedelia and progressive rock. In early 1972 the paper found itself on the verge of closure by its owners IPC (who had bought the paper from Kinn in 1963). According to Nick Kent (soon to play a prominent part in the paper's revival):
After sales had plummeted to 60,000 and a review of guitar instrumentalist Duanne Eddy had been printed which began with the immortal words 'On this, his 35th album, we find Duane in as good as voice as ever,' the NME had been told to rethink its policies or die on the vine.

1980s- Some commented at this time that the NME had become less intellectual in its writing style and less inventive musically. Initially, NME writers themselves were ill at ease with the new regime, with most signing a letter of no confidence in Alan Lewis shortly after he took over. However, this new direction for the NME proved to be a commercial success and the paper brought in new writers such as Andrew Collins, Stuart Maconie, Mary Anne Hobbs and Steve Lamcq to give it a stronger identity and sense of direction.

1990s-Although the period from 1991 to 1993 was dominated by American bands like Nirvana, British bands were not ignored.In April 1994 Nirvana frontman Kurt Cobain was found dead, a story which affected not only his fans and readers of the NME, but would see a massive change in British music. Grunge was about to be replaced by Britpop,a new form of music influenced by British music of the 1960s and British culture. The phrase was coined by NME after the band Blur released their album Parklife in the same month of Cobain's death. Britpop began to fill the musical and cultural void left after Cobain's death, and Blur's success, along with the rise of a new group from Manchester called Oasis saw Britpop explode for the rest of 1994.

20000s- From the issue of 21 March 1998 onwards, the paper has no longer been printed on newsIn October 2006 NME launched an Irish version of the magazine called NME Ireland. This coincided with the launch of Club NME in Dublin. Dublin-based band Humanzi were the first to appear on the cover of NME Ireland. Poor sales in the Republic of Ireland resulted from competition from market leader Hot Press and free music magazines Analogue Magazine, Mongrel Magazine and State Magazine. This resulted in the magazine's demise in November 2006.print, and more recently it has shifted to tabloid size: it has full, glossy, colour covers.

What does the NME website offer its audience?
It offers music facts, gossip, the latest information on current bands, reviews etc. It is an online aswell as material magazine, tv station and mobile news report, hence it being 'First for music news'. You are more than likely to find everything you want to be informed about, music wise, with this company.

How does the NME website address its audience?
It address it's audience through it's style of design e.g. bright colours and large, bold italics, animation. Catches most peoples attention through this, but is mainly aimed at youths who take an interest in music e.g. attend concerts or take part in musical activities. The access to post comments on polls allows viewers to feel more involved and offer opinions on various subjects.


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